We knew that jewelry designer Stefanie Wolf’s Mosaic Necklaces are beautiful, versatile pieces, but we didn’t know that just how many ways you can wear them until yesterday, when Stefanie sent us this great video showing seven ways. (We’ll admit, it’s three more than we’d thought of, and we LOVE the new suggestions.)
When you have a unique sense of style, finding jewelry and accessories with the right amount of flair can be tricky. Fortunately, we’ve got you covered with our original and inspired finds, so let your funky flag fly and make a statement with our fashion-forward picks. Here are 12 quirky jewelry and accessories pairings that let you celebrate your eclectic tastes and might even start some new trends!
Call on your inner child for some fashion advice! Echoing a sense of playfulness and carefree style, these one-of-a-kind Beach Marble Necklaces and Tie Dye Socks are an easy way to sprinkle some color and fun into your daily ensemble.
Every flower has a special meaning and no two blooms are alike. Nurture your independent sense of style with these feminine floral accessories. Pair your Birth Month Flower Necklace and Floral Wood Watch for a graceful reminder of the infinite possibilities found in nature.
As a certified B Corporation, UncommonGoods is excited about sustainability. That means more to us than just being “green”–we strive to offer products that reflect the environmental and social best-interests of everyone. So, when our makers are as concerned with sustainability as we are, we’re always eager to learn more about their process and the positive impact they’re having on the world.
A village in Laos, Photos courtesy of Elizabeth Suda
While many of our makers rely on sustainable practices at one point or another in their process, we’re especially excited about those who place the wider world at the forefront of their craft–those who are making an uncommon impact.
In the case of Elizabeth Suda, founder of Article 22, making a positive impact is, in part, about helping to heal the negative impact the imposed on Laos during the Vietnam War. The Peacebomb Jewelry designs produced by Article 22 aren’t just fashionable accessories, they’re also symbols of hope.
In her Honolulu studio, Catherine Weitzman has found her somewhere-over-the-rainbow: “We have a large open space with views of a valley, which is a great spot for rainbow sightings,” the jewelry designer tells us. And in the late afternoons, the magic deepens thanks to the two “very old hula schools” in the complex, says Catherine: “We can often hear ukulele music coming through the windows.”
When it comes to creating jewelry, Kathy Bransfield can’t stop, won’t stop. “My main drive is the fact that each piece has so many different meanings for its owner,” she says. “Whether it’s a piece with humor, a piece that can be a talisman of inner strength, a reminder of a precious friend or lover or a necklace that brings healing after a loss — this is what touches me the most and keeps my heart on fire.”
Bransfield, who works out of a studio three blocks from her home in Culver City, California — with her husband Eric and mother-in-law Rochelle — shared her off-the-chain story with us in a series of email exchanges.
When did you first know you wanted to be an artist?
As far back as I can remember! I loved to draw and do any type of craft project I could get my hands on. My dad told me I couldn’t refer to myself as an “artist” until I sold something. So when I was about 9 or 10, I would go door-to-door selling handmade Christmas tree ornaments. Later, I had the pleasure of painting alongside the ever so lovely Bob Ross (on his PBS show The Joy of Painting). I sold the oil paintings I did for $50 each — mainly to family, of course. I was 13 years old and felt I had proven dad wrong. Oddly, I still never refer to myself as an artist. Ha!
Nature is so integral to your work — and words, too. Why do you think that is?
As a kid I loved climbing trees so much that I would often sit on a specific high limb like a recliner and eat my lunch. I have always felt more connected to my own soul by being in nature. I’m also an avid scuba diver so a lot of my inspiration comes from under the sea as well as above. Seeing the shapes of the coral and the different types of grasses waving in the water is like being in a dream.
As for language, quotes have helped me through some of the most challenging times in my life. And they continue to aid me on a daily basis to keep things in perspective. They remind me about love, possibility and what’s important in life — how we should never give up on our dreams, never forget that dear loved one and, most importantly, never forget who we are.
What are your most essential tools?
By far, my vintage sets of letter stamps, my heart and my husband, Eric, who runs the business!
Is there a talisman you keep around you when you work?
Mostly, other artists’ work surrounds me in my studio — it reminds me of how much I want to strive to be more profound in my creative process. But I do display one thing I made in 1989 while living in Lake Tahoe. It hangs on the light of my bench and is made from an old pair of pants I had at the time, wooden and glass seed beads, vintage glass beads from the 1800s and amber teardrops. It’s filled with tiny treasures that have held meaning to me over my lifetime. The feather that sticks out represents my loving relationship with my husband.
Where do you typically draw inspiration for your pieces?
The obvious things make the list: hearing my children’s infectious laughter, traveling to beautiful places and engaging with great minds. I’m always trying to absorb the world around me with eyes wide open. I’ve found great quotes everywhere from a bathroom in a bar in Mexico to an inscription on a gravestone and everywhere in between. I love being moved by words every single day of my life.
Do you wear the pieces you make?
Never! I’ll be in conversation with someone that I’ve just met and they’ll ask me what I do. I tell them I make jewelry, and, immediately, they scan my empty neck and ears in confusion!
Because sayings are so important in your jewelry, is there a quote or mantra that keeps you motivated?
There are probably too many, but I will try to restrain myself:
“We are all in the gutter, but some of us are looking at the stars.” —Oscar Wilde
“Wherever you go… there you are.” (That’s me running in circles!)
“Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure.” —Marianne Williamson
What’s the best compliment you’ve ever gotten on one of your pieces?
Someone came to my booth at an arts and crafts show I did about 15 years ago. She showed me her necklace that she had bought from me years prior. It looked like it had been in a grease fire, and sat on by an elephant. A third of it consisted of her hair wound through it! I immediately offered to take it and clean it. She said absolutely not — she never ever took it off and never would. The story she told me of what it meant to her had me bowled over. She had only stopped by my booth to let me know and say thank you. It helped me to see my work and its meaning for others in a whole new light.
Best yet, Eric and I were up in the wine country in Northern California once. While standing in line to buy champagne, I noticed the couple behind us were wearing the matching Missing Piece Puzzle Necklaces. I awkwardly chatted them up asking where they had bought them. Their answer? UncommonGoods!
As a B Corp certified company, UncommonGoods is excited about sustainability. That means more to us than just being “green” – we strive to offer products that reflect the environmental and social best-interests of everyone. So, when our makers are as concerned with sustainability as we are, we’re always excited to learn more about their process and the positive impact they’re having on the world.
While many of our makers rely on sustainable practices at one point or another in their process, we’re especially excited about those who place the wider world at the forefront of their craft – those who are making an uncommon impact. Meet Margaret Dorfman, designer of fruit and vegetable inspired jewelry and tableware like the Parchment Blossom Earrings and the Vegetable Parchment Platter, and see the ways that she’s striving to be sustainable in the face of drought in California.
“Sustainability is important simply because the trajectory of consumption and waste around us is not supportable.”
When I received the smile-from-ear-to-ear news that I would be visiting Judi Powers’ workspace for a studio tour, I didn’t even try to hold back my excitment. As the go-to person who organized the design challenges from our Brooklyn headquarters, it wasn’t every day that I was able to schmooze with our talented design challenge winners in person. And being Judi’s number one fan girl, I knew this studio tour would be a special one.
I first met Judi at one of our How To Make It design events – not knowing that she was one of our contestants who submitted an entry into our Jewelry Design Challenge months before. I complimented the gorgeous necklace she was wearing, and that’s when she revealed to me that she actually tried to submit that same piece into one of our past Jewelry Design Challenges and didn’t make it into the semi-finalist round. I immediately knew which entry she was speaking of – a poorly lit photo that didn’t capture the beautiful craftsmanship I saw in person. I told her to submit again with better photos, and didn’t think I’d hear from her anytime soon. Less than a month later, Judi sent in another submission except this time – with much better photos. After passing through three rounds of judging and receiving samples of Judi’s work, it was apparent that the jewelry judges were in love with the handmade A Tree Grows Necklace and crowned her our next jewelry grand prize winner.
Since then, Judi has repeatedly told me that her jewelry career has blossomed. She’s added two more lovely designs into our assortment (including this eye-catching Ear Climber) and has become an irreplaceable member of the shared space studios of Brooklyn Metal Works tucked away in the streets of Brooklyn — where she creates more of her nature-inspired pieces. Meet Judi Powers, an artist and advocate for sustainable jewelry, positive thinking, and good ol’ second chances.
Handmade jewelry has been all the rage lately. The personal attention and love that makers and artisans infuse into their work is evident in the masterpieces that they create. What most people don’t understand is why handmade jewelry is more of an investment than its mass produced counterparts. There are many reasons why handmade jewelry is more of an investment than pieces that are mass produced, so I thought I would break it down for you! Below are 7 Things You Didn’t Know About Handmade Jewelry.
1. No Mass Production Machinery Involved: By definition, handmade jewelry is literally just that, made by the “hands” of the artisan or maker. The pieces are soldered, sawed, carved and shaped without the use of mass produced manufacturing machinery. A machine can crank out hundreds of units per hour while an individual can only make a finite quantity or fraction of the number of pieces in the same amount of time.
2. The Value of Time: As previously mentioned, since there are no machines involved, handmade jewelry takes an incredible amount of time to produce just a single piece. As a designer myself, I know I often spend hours designing a single piece of jewelry for a client. The time to make the piece often can take weeks.
3. The Maker’s Process: The maker has a very intimate relationship with each piece or design they create. The design process is key to the value that is inherent in each piece. Emilie Shapiro talks about her process and says, “While creating jewelry, there is a very intimate relationship with my work. I know every curve and line (is) put there with intention. As a maker your energy goes into the piece.”
4. Materials: In almost every case, the value of the materials involved in a handmade piece are of stellar quality. It’s difficult to regulate or even know exactly what alloys are used in mass produced factories where dirty metals are blended together to create costume pieces. Handmade materials are generally sourced from highly reputable suppliers.
5. Sustainability: Jewelry Makers are often dedicated to sustainability and ethically sourced materials. By nature, being ethical can be much more costly than taking the easy route and purchasing from the refiner or dealer with low prices and shady sourcing. Once again, Emilie Shapiro always uses the highest quality materials sourced from suppliers who share her ethos about sustainability whenever possible. Smaller scale production is almost always higher quality.
6. Quality: Smaller scale production is almost always higher quality because the ability to track and control the process from start to finish is inherent in the making process. Makers and artisans are extremely proud of the work they produce. They aren’t going to let something of inferior quality leave their studio with their name on it.
7. Locally Made with Love: There is a lot of buzz with “buying local” these days. Reducing your carbon footprint and supporting local artisans is good for the environment and good for everyone. Artisans and makers infuse love and energy into each piece of work. There is HUGE value in supporting local from a sustainability and energetic standpoint. Along with the extra value inherent in handmade jewelry you are also buying a truly one-of-a-kind product. Even if the handmade piece is part of an edition – no maker creates two pieces that are exactly identical. You are the only person with that specific piece of jewelry which says a lot.
The next time you consider purchasing a handmade piece of jewelry, remember that even though the piece may be an investment, you are supporting something even bigger. You should feel really good about your purchase knowing that you have a special piece of the artist in your jewelry collection.
Keep an eye out for this blue hand icon while shopping at UncommonGoods for handmade products!