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Design

How to Win a Design Challenge

May 1, 2013

After facilitating 11 design challenges over the past year, I consider myself our company expert. I sit with the buyers as they sift through the entries to decide on the semifinalist designs that will make it to our community voting app, moderate the final judging session, and communicate with the designers throughout the entire process. I am to the point now where I can anticipate what the buyers will say about each entry and finalist design so I thought it would be helpful for me to share some of my observations.

Of course the final decision always comes down to the design and how well the buyers think it will sell at UncommonGoods, but keeping this advice in mind will help you avoid some road blocks that I have seen make or break the final decision.

PRICING I thought I’d start with the technical stuff to get it out of the way and because this is a really important factor in most design challenges. UncommonGoods is a retailer so we buy artist’s goods at a wholesale price. After we buy your design from you, we still need to make a profit, so we need to have a retail price set with a fair profit margin. We measure gross margin % to gauge profitability. We calculate this with (retail price – wholesale price)/retail price x 100 = GM%.

But if you have only been selling on Etsy and at flea markets, you might not have a wholesale price figured out yet. Many independent sellers are currently selling their items retail at a wholesale price! Stores like UncommonGoods will need to charge almost two times that amount to make a profit, and we won’t want to sell your design at a much higher price than a customer can get it on your site. This might mean going back to the drawing board but a strong pricing structure could really benefit you in the future.

Senior Buyer Erin Fergusson advises, “Research what is out there in the market place and understand the range of retail prices for similar products. Be sure to note the materials and how something is produced (handmade vs. manufactured) in order to understand where the cost is coming from.”

To understand pricing a little more, check out this really informative forum discussion between Etsy sellers.

Tell your product story well and completely! Some artists do a great job telling the story of their design in the Product Description field on our online submission form. Some artists don’t and it can really hurt them. This is the space to let us know all about your inspiration, your artistic process and how the design makes you feel. This is the space to tell our buyers everything you want them to know about you and your art.

If your design is chosen to be a semi-finalist, this is the copy we will edit for grammar and punctuation to use in the community voting stage-so this story won’t just attract our buyers, but also the thousands of voters who will be viewing your design. Good product copy can make or break your chances with the voting community, the buyers, and the rest of the judging panel.

Our buyers love collections. When I sit with a buyer and go through design challenge submission, more often than not we are also visiting an artist’s website to see what else they have. Not because we’re nosy, and not because we don’t like what we see. Our buyers want a sense of an artist’s future as a vendor at UncommonGoods. They’re looking for an artist that will be able to create a collection of similar products. Check out Valerie Galloway and Etta Kostick – former design challenge participants with robust collections.

Be prepared for our inventory demands. Our inventory requests for each design are always different depending on price and category, and our buyers work to create a plan with each designer that is beneficial to both parties. One common question you should be able to answer is “how many of these can you make in a week’s time?” Don’t know the answer to that question because you’ve only ever made one? That’s ok too, but have a plan in place for scaling up. (Get some advice from our current vendors here!)

Send a product sample, NOT a prototype. Most challenges require the semifinalists to send in their design for the buyers to review. Even if a design doesn’t make it into the top five designs that are judged, the buyers will review all the samples that come in. So many other artists are eager to get their designs into our buyers’ hands-but so many times I see samples with unfinished edges and chipping paint. Who knows when you will get another chance.

Send them something that shows the true extent of your talent. Before you send out your sample think, is this something I would send to a paying customer? Remember, when our buyers have your design in their hands they are thinking the exact same thing.

Stay tuned to our Twitter to learn about new design challenges and enter our Art Contest all year round!

Maker Resources

How To Make It: Collaborating and Building Your Network | Videos

April 11, 2013

Earlier this month we hosted another design panel and happy hour for designers in Brooklyn. The topic of conversation was learning how to work well with other artist in a collaborative community, a business partnership and on the internet. Sitting on the panel was artist and founder of the AmDC Kiel Mead, Katy Maslow and Michelle Inciarrano of Twig Terrariums, and UncommonGoods Community Outreach Coordinator, Gaby Dolceamore (yeah, that’s me!).

Guests were invited to mingle with each other and the panel; enjoy some Brooklyn Brewery beer, Dark Horse Wine and Pelzer’s Pretzels; and vote on a community winner of the Woodworking Design Challenge. Check out Zsuzsanna’s winning design, the Floating Window Air Plant Wall Decoration.

We know not everyone can head over to Brooklyn on a Tuesday night to join our events, so we are happy to offer clips from the night’s discussion below!

Communication is key, especially when best friends become business partners!

Michelle and Katy of Twig Terrariums reveal how they split up the work in their business.

Kiel describes the dynamic of contributing to a group of artists in the AmDC.

The Twig ladies talk about how important it is for them to share their craft with the local community.

The group discusses the importance of telling your art’s story.

The panel weighs in on the belief that 80% of a group’s work is done by 20% of its members.

Kiel describes how he makes the most out of networking with other artists.

…or just watch the entire thing!

Design

Using craftgawker.com to Promote Your Designs

April 9, 2013

As an avid craft blogger, I know the magic of getting a post featured on craftgawker. One DIY or tutorial posted on the site usually means thousands of new visits to my blog! We even use it as a tool to promote UncommonGoods design challenges and blog posts. But it recently dawned on me how helpful the gawkerverse could be in gathering inspiration and promoting your work so I reached out to Maria, their designer and editor, to pick her brain. As a designer herself, Maria has some great advice for using the gawkerverse to it’s greatest advantage.

How can a designer use the gawkerverse community to market their designs?
Anyone can use the gawkerverse to share their work. Our goal is to publish posts that are inspirational to our readers. Sometimes that comes in the form of a DIY or recipe, an artist’s interview, or a post that shares a behind the scenes look at how something is made.

If you are a designer looking to share your work, the best gawkerverse site to submit your work to is craftgawker or dwellingawker. A great way to get readers to check your post is to offer a printable or a DIY, as people like to participate. If you don’t want to provide a DIY or printable, another great way to get noticed is to provide an inside look at your process. Did you just create an amazing logo? Why not share some of the ideas that led up to the final? The same thing would work for a fine artist. Rather than only sharing the final painting, why not share some of the in-progress photos? People love to see how an artist/designer got from point A to point B.

Also, remember that photography is important! Photos are important for any blog or website, because most people are visual, but it is especially important when submitting to the gawkerverse. You only have a short time to draw someone in, and the best way to do that is with a photo that makes them stop and look.

What is the most creative thing you have seen submitted to the gawkerverse?
That’s a really hard question, because we get a lot of amazing submissions but here are a few posts that stand out.

This post by The 3R’s Blog utilizes a paper craft we all know how to make from our childhood and repurposes it into this modern, geometric lamp shade!

This DIY by My Poppet is a great way to restore old, hand woven, cane chairs. Cross stitching turned this old chair into a modern, colorful work of art.

This recent post by Feathers of Gold shows us how to create this awesome hexagonal ornament with stir straws!

Where do you seek inspiration?
I usually don’t have to look too far for inspiration, since I am one of the craftgawker moderators, so I see tons of amazing ideas daily, but some of my favorite design blogs are Design Work Life, Weekday Carnival, and Door Sixteen.

I try to find inspiration everywhere. Packaging, posters, magazines, catalogs, they all give me ideas and inspire me to try something different.

What makes a good gawkerverse submission?
Our goal is to inspire our readers to be creative. In our opinion, there is no better feeling than creating something! Whether your creative outlet is food, art, your wedding, your look, or an entire room, we want people to experience the satisfaction you get from making something yourself.

The most important component for a good gawkerverse submission is a great photo. Beautiful photos are always inspirational and will usually do well on our site. It’s the first thing a reader will see and it is what makes them want to find out more.

Next we look for good content. We always prefer DIY, but we will accept anything that we believe our users will find inspirational. That includes process photos, interviews, or any discussion about what inspired the blogger to create.

What are some tips for taking gawkerverse-worthy photos?
In my opinion, lighting is the absolute most important component for taking a good photo. If you don’t have good lighting, the photo won’t be successful. Natural diffused light is always best, because very direct light can create distracting shadows.

Next, composition plays a huge role. It’s always important to consider your subject matter and be sure that it’s always your focal point. An image can be perfectly exposed, with amazing light, but if the composition isn’t right, the image won’t be successful. It’s always important to consider your subject matter and compose a balanced shot that will work in our square format. When in doubt, keep it simple.

Design

Art Contest – The Fun Will Never End

April 4, 2013

The call for entries for the 2013 Art Contest ended on Sunday night with close to 200 amazing submissions. We were blown away with the response and the caliber of work that was entered, so we went back to the drawing board. Seeing your artwork only once a year is not enough. With a customer base that loves art prints and buyers who love picking them out even more – we decided to keep the Art Contest going… all year long! Keep coming back to send us your brand new pieces every month and get more involved in our design community.

For the most part the rules and prizes are still the same. Midnight on the last night of every month is the deadline for that month and the buyer’s picks will make it into our community voting app.

Check out the Art Contest page for more details.

The Uncommon Life

The Cats that April Fooled You!

April 3, 2013

Did you do a double take when you saw our website and social media on Monday? Cats took over everything – there wasn’t a piece of our internet presence without a feline touch. But it was all in fun!

We knew we wanted to get in on the April Fools antics this year and decided to pay homage to everyone’s favorite star of the internet and your living room floor. In order to pull it all off, we needed some cats. Our employees jumped at the opportunity to play kitty show & tell and give their cat its fifteen minutes of fame.

Our Creative Studio was turned over to the cats and our Customer Service office area into a green room, where cats slept and ate until their owners were done with work for the day. Used to taking photos of inanimate objects and their coworkers, our photographers practiced the art of shooting a creature with a mind of its own.

To make our April Fools prank be truly uncommon, we partnered with Animal Care & Control of New York City to donate a portion of the profits made during the campaign.

Maker Stories

Inside the Artist’s Studio with Matthew Amey

April 2, 2013

It feels a little silly when we throw around the word “uncommon” so frequently here around the UG headquarters, but sometimes there just isn’t a better way to express how we feel. I first interviewed Matthew Amey when he won last year’s Art Contest. Being inked myself, I was overjoyed to learn his winning piece was a tattoo-turned-print. I was also completely baffled – was there a better word to describe the newest member of our artist family?

This time, take a look inside the Maryland studio of this design challenge alum to see how he transitions from painting on skin to paper.

What are your most essential tools?
I work primarily with tattoo machines but I also paint in oils quite a bit. I am fortunate to have a career (tattooing) that allows me to also work in other artistic mediums when time permits.

Where does down time fit into a day in the studio?
I work in my studio five days a week, eight hours per day. I find time between tattoo appointments to explore new ideas, mediums, do research for new projects and whatever else strikes my fancy.

Where do you find inspiration within this space?
My studio is jammed with materials that I have collected throughout my travels. Much of my inspiration comes through interacting with other artists and discussing new ideas with prospective clients.

What was the toughest lesson you learned as a young designer starting a business?
Being an artist is great but running a business, as an artist, is a daunting task. The creative mind is not one that worries about deadlines, bills, advertising. As an artist all I want to do is create work. Once I figured out how to shift gears from artist/creator to businessman/manager things got a lot easier. Once I found a ‘business manager’ it made my work much more enjoyable.

What advice would you offer the you of 5 years ago?
Trust your instincts; you’re making the right choices. Stay positive.

How do you set goals for yourself?
Much of my time is spent just thinking about projects. Once I decide on a project that I want to complete I am pretty adamant about following it through to completion. Some long-term projects get worked on little by little until completion. Ultimately I have to determine which projects are of utmost importance and work on those first. UncommonGoods has become one of my main goals this past year and I’ve been focusing much of my ‘free’ time on that work.

How and when do you decide to celebrate a victory?
Victory is fleeting. If/When I’m able to take time to reflect on my accomplishments chances are I’m thinking about what to do next. I’m not sure where I’ve heard this statement but it is very true that, “it’s about the journey, not the destination.”

What quote keeps you motivated? What does that quote mean to you?
My efforts flow through these three simple statements. Imagine; think outside the box, allow yourself to wonder. Create; make work, be creative and productive. Inspire; make work that inspires others to think, contemplate or produce work of their own. Repeat….

What are some new skills you are trying to acquire to perfect your craft?
I am constantly challenging myself to experiment with new materials, techniques and styles both in tattooing and within my other artistic endeavors.

How do you recharge your creativity?
My artwork develops in cycles. During the warmer summer months I try to get outside and experience nature as often as possible. I live near the ocean and in the Summer I am very busy tattooing the tourists who frequent my town. In the Fall I start putting non-tattoo related projects together and in the Winter and Spring much of my time is spent working on completing those projects. I am currently getting ready for the summer season so I’m trying to wrap up some larger art projects that I started last Fall.

Where does collaboration come into play with your craft?
Much of my tattoo work is collaboration between myself and my clients. They come to me with an idea and I attempt to help them visualize their ideas in the most concise way possible. Occasionally I will collaborate with other artists in my studio to produce paintings.

Design

Slate Cheese Board Styled 3 Ways

March 19, 2013

Any apartment dweller knows the plight of a lack of storage. I cringe at the though of single-use items that will take up space on a shelf or counter (oh, how I’m dying for a waffle iron!). Since moving to New York City a couple moons ago, I have started to give a lot more thought to my purchases and make sure everything that enters my tiny apartment will be used. Simply, I don’t buy things that won’t get used frequently!

I spied the Slate Cheese Board with Soapstone Chalk since it was launched on our site months ago but wasn’t sure how often it would get used. Yes, I love cheese – many, many kinds of cheese – but it’s rare that any lasts long enough in my posession to leave out for guests. But the board was too gorgeous in all it’s rustic glory to pass up. So I took it home and gave myself a weekend to see how many times it could get used, finding that there were more uses for this board than meets the eye.

Build your own omelet party After work on Friday I met some friends at the gym to get the weekend started. Afterwards we all came to my place for dinner and I had two main objectives: a) eat some protein to rebuild muscle tissue and b) clean out my fridge. So I threw a “build your own omelet” party and set out the ingredients. It was a self-serve experience so everyone could make their omelet to their liking. I’m glad I got to label their choices so no one picked up an ingredient they didn’t want. The idea was a success and I can’t wait to throw another “build your own” party (sundaes, cocktails, pizza, grilled cheese…).

Movies in Bed Nothing is more fun that lounging in bed on a cold Saturday with your laptop and Netflix, but I always struggle with keeping crumbs from falling out of a lopsided bowl of popcorn. Wondering how the cheese board would fare as a bed-tray, I stocked it with gummy candies, a Mexican Coke and a heaping bowl of lime coconut popcorn while getting under the covers to tackle my growing queue. It did the trick and kept my soda and popcorn level when I readjusted in bed. That night’s sleep was not a story of the Princess and the Popcorn Kernel, thankfully.

Sunday Brunch One of my favorite New York past times is hunkering down after a morning of yoga with the NY Times and a cup of tea. Just sitting all day, leafing through the massive pages that cover my dining table. Since my Sunday brunch is never quite a complete meal – some fruit, nuts, a bagel, maybe a pastry – it was nice to spread out an afternoon’s worth of things to munch on as I caught up on current affairs. I was so comfortable, I didn’t get up until the sun went down and it was time to make supper.