Philadephia jewelry designer, Stacey Lee Webber, creates her pieces from pennies and small coins—making art from what could easily be overlooked and discarded. The same can be said for her incredible studio and living space. Situated within the former Globe Dye Works factory–a space she calls home, work, and the location of her wedding–her space is one of the most uncommon I’ve ever visited. Aside from having been saved from scrapping and recycled, the factory is home to many other designers and just oozes creativity. Stacey’s studio also serves as storage for her creative friends’ projects that won’t fit anywhere else.
After I was done drooling over the space, I got to know one of our artists in a deeper way. Behind the beautiful necklaces and cufflinks on our site is a process of sawing, filing, and tiny metal splinters, creating the kind of dichotomy that makes handmade pieces like hers so special. When I see a coin, I see an opportunity for a Tootsie Pop. When Stacey sees a coin, she sees art–just another reason why it’s so fun to try to get inside the mind of our designers.
Take a stroll around Stacey’s creative space and get to know this Uncommon Artist.






We call ourselves “uncommon” and pride ourselves on the uniqueness of our products, artists, and customers, and this month I wanted to feature a studio tour that was uncommon compared to its peers. Nikhil and Alejandro are two entrepreneurs who discovered while studying together at UC Berkeley that delicious oyster mushrooms are easily grown from discarded coffee grounds. Deciding not to keep that secret for too long, they created their first design to bring their brand of recycling to homes, offices, and classrooms across the country. When they launched their second product a couple months ago, a symbiotic ecosystem housed in a fish tank, it became clear that they sat at the intersection where science meets creative design.
Some designers have a creative studio, some have a company work space, but for this Studio Tour I rode my bike to the apartment of Carl Collins, the gathering-space of 